by Mitch Phillps Back in September of 2003, Maxim Blender came out with it’s list of The 50 Worst Artists in History. Usually I ignore such obvious ploys to sell magazines, but I decided to take a peek to justify what I thought I might find. As usual, I wasn’t surprised. No less than four bands I’ve enjoyed in the past made the list: Emerson Lake & Palmer (#2), Tin Machine (#12) and, to a lesser extent, Kansas (#6) and Asia (#7). What’s more, the virtual frat-house of quip-scribblers at that NYC glossy (it took no less than nine Blender-boys to produce the piece) managed to insult other top acts that fit the “progressive rock” label (even those not on their hit-list!) with the same lazy insults that have been regurgitated in the rock press for the last thirty years; Yes and Jethro Tull are described as ‘inexcuseably pompous’ and ‘appealing only to male sci-fi bores’, Kansas as ‘bereft of sex and emotion’, and ELP of ‘(shunning) blues-based rock in favor of bombastically reinterpr...