Skip to main content

Cowboy Messiah's "American Zen"

Band: Cowboy Messiah

Title: American Zen

Released:2006

Tracks: 14

Recorded at: The White Room, Detroit Mi

Recorded by: John Smerek

Band Members: Andrew Lindblom (guitars and vocals); Tommy Lee Torgerson (drums, harmonica, percussion); Jason "J" Peters (bass)


Like many first time releases, Cowboy Messiah’s “American Zen” moves in a lot of different directions, the band not quite having settled on any particular sound. There are cow-punk, rockabilly, beer-hall anthems (Little Late For Me, Rhythm Of The Night, Ballad of Bobby Badass), a disco-tinged instrumental jam (Innerphonic), some standard pop-rock fare, (I Want Mine) a quasi-ska number sans the horns (Watch It Burn), and another that just tries to rock your face off (Fight Song).

It’s in that last category that Cowboy Messiah seem to shine, particularly on a hidden extra called “Rock & Roll Band”. The raw energy and thrust of that track leaves little time for pretense, pumping your ears like a bad boy on a good girl for a minute-fifty-four, leaving you breathless and grateful for the pounding.

"The thing about Rock n' Roll Band is it was never supposed to end up on the album at all," bassist Jason Peters wrote in a recent e-mail. "Andy wrote the music to a Shel Silverstien poem we all knew growing up and it's just a lot of fun to play. It's actually the cut that sounds closest to the way we do, but we only recorded it because we were in the studio and it seemed stupid not to. It didn't really cost us anything extra because it literally took about 4 minutes to lay down and mix."

Funny how those last-minute additions can steal the whole show.

Still, at fourteen tracks on a debut record from an unknown band, there’s a few that probably should have been left on the cutting room floor (Ripped Off, Summer Girls, Waking Up Alone, Little Girl, Hey You) or released on an entirely different disc under another name (as other locals bands hedge their bets). With their inclusion, “American Zen” feels a bit incongruous, like two different bands fighting for the same space. One’s unsure and self-conscious, singing sweetheart melodies and strumming a clean guitar, and the other is shooting speedballs and turning the amps up to eleven. In a good rock & roll band, evil almost always wins out.

Recorded in whirlwind five days by John Smerek at renowned White Room Studios, “American Zen” is probably a bit looser than it should be in spots, but you can probably chock that up to the lack of a budget more than any weakness in the production. A few more cuts of a vocal track might have quashed a wobble or two or tightened a lead. But according to bassist Jason Peters, it was the bands intent to capture the trio’s raw sound.

“Andy was very concerned with the purity of the album, and was reluctant to stray too far from what we can do live as a trio,” Peters wrote. “So in mixing the album, we didn't use as much reverb or other window dressings as you are likely to find on most studio albums.”

Cowboy Messiah is just beginning to witness to the masses, so it will be interesting to find out if their message will endure, or if they’ll be crucified by the Detroit music scene like so many false prophets before them.

- Mitch Phillips
Track Listing:


  1. Too Late For Me
  2. I Want Mine
  3. Ripped Off
  4. Waking Up Alone
  5. Mt. Everest
  6. Fight Song
  7. Summer Girls
  8. The Ballad Of Bobby Badass
  9. Innerphonic
  10. Broken Hearted
  11. Rhythm Of The NIght
  12. Little Girl
  13. Hey You
  14. Watch It Burn

Hear Cowboy Messiah on Myspace











Now Hear This!


Be sure to see Cowboy Messiah at their CD Release party at The Belmont Bar in Hamtramck on November 25th, 2006 with The Lincoln UK, band of "American Zen" cover artist Marc Nischan. You can see more of his artwork at MarcNischan.com.




Just for fun, check out www.americanzen.com. I googled it.

Comments

Popular posts from this blog

They Call I Black by Ghetto Priest

Hear Ghetto Priest's "They Call I Black" on BandCamp.com According to the bio, Ghetto Priest is a former "football hooligan" turned petty criminal, gang-member, prisoner, Rastafarian, DJ and finally, having lived a hard life, survived it, and honed his natural talent, became a staple on the UK roots reggae label OnUSound Productions run by Adrian Sherwood. I became familiar with 'Priest's music through a collaborative release in 2011 ("The Lion Of Judah Hath Prevailed; The Process Meets Ghetto Priest") with the Saginaw rock-reggae outfit The Process. That record included 'Priest's song "Ghetto Life", which captured the essence of the same with a sedated but serious reggae vibe. The single was intended to be a sneak-peek of an as yet unreleased full-length title called "Sacred Ground" slated for release sometime later in 2012. But for now, Ghetto Priest offers another peek into his process with a limited-edit...

''Nobody's Gotta Know'' by Donkey Punch

Music Review: ''Nobody's Gotta Know'' by Donkey Punch Date: Saturday, May 31, 2003 @ 14:25:00 EDT Topic: Music Reviews Band: Donkey Punch CD: Nobody's Gotta Know Released: 2003 Produced by: Ben Began @ 40 oz Sound (Ann Arbor) except track 4, produced by Mike Relay @ Secret Studio Mastered at: Solid Sound Band Members: Eric Day (vocals & keys), Aaron Brink (guitar), Christopher Lee (bass), Todd Waters (drums), Brian Drake (trumpet), Todd Bauer (additional trumpet), Garrett Mendez (trombone). Click "Read More" below for Mitch's review. review by Mitch Phillips So I'm at this fancy house party seeing how the other half lives (indoor heated swimming-pool, his & hers new SUV's, plasma-screen tv, and a new boat on a man-made lake surrounded by plush green lawns), and I strike up a conversation with the only person at this party whose net-worth is currently less than mine; the hostess' 18 yr old niece who is now jobless between sem...

South Normal Meets The 3 Headed Evil Genius

Frog Island Park 5.26.06: It’s a balmy spring evening at Frog Island Park near Ypsilanti’s historic Depot Town. Despite what you might expect, there’s no island in sight and any of the legendary, fur-covered, flying “smeet” frogs that might be lurking among the moss-covered rocks have yet to make their presence known. But the week’s rains have finally subsided leaving a dense blanket of humidity in their wake and allowing tonight’s big plans to commence after yesterday’s cancellation. Frog Island Park consists of a large sunken field surrounded by trees and grass-covered banks. According to a local resident, it acts as an emergency flood basin for the nearby Huron River, but it’s mostly used for soccer games, community events and Ypsilanti’s annual Jazz Festival. Tonight it will be ground-zero for a unique performance featuring South Normal , a popular indie-rock band from Chelsea, MI. A break in an overgrown tree line reveals the park’s street-level entrance. A handwritten sign is...